Nacim Pak Shiraz
Professor of Cinema and Iran
- Islamic and Middle Eastern Studies
- School of Literatures, Languages and Cultures
Contact details
Address
- Street
-
Room 2.3
19 George Square - City
- Edinburgh
- Post code
- EH8 9LD
Availability
Office Hours (Semester One): Tuesdays 15:30 - 16: 30
Background
Professor Nacim Pak-Shiraz is Personal Chair of Cinema and Iran at the Department of Islamic and Middle Eastern Studies. After a B.A. in Tehran, she completed a graduate programme in Islamic Studies and Humanities at the Institute of Ismaili Studies, London, followed by an M.A. in the Anthropology of Media, and a PhD in Film and Media at the University of London’s School of Oriental and African Studies (SOAS).
Her research focuses on cinema and visual culture in the Middle East, particularly Iran. She is a a governor at the Royal Conservatoire of Scotland (RCS) as well as at the Institute of Ismaili Studies, She is also a National Committee member of the Aga Khan Foundation (UK), and board member of the Academic Council of the Iran Heritage Foundation.
Professor Pak-Shiraz has also curated a number of film festivals in Edinburgh, and has been as a jury member and speaker at several international film festivals in the Czech Republic, Turkey and Iran.
CV

Responsibilities & affiliations
Film Studies, University of Edinburgh
Undergraduate teaching
- Cinema and Society in the Middle East
- Classical Persian Literature
- Modern Persian Literature
- Islam Through the Art
Postgraduate teaching
- Research Methods and Practice
- History and Culture of Iran
- Ruling Iran
Open to PhD supervision enquiries?
Yes
Current PhD students supervised
PhD Supervision - Principle Advisor:
- Farah Taleb, IMES PhD.
- Bahar Fayeghi, IMES PhD.
- Erin Robbins, IMES PhD.
Past PhD students supervised
Principle Advisor:
- Lovisa Berg, 'Creating a Man, a Mouse or a Monster?: Masculinity as Formulated by Syrian Female Novelists through the Second Half of the 20th Century', IMES PhD. Completed 2017
- Alessandro Coloumbu, 'Modernity and Gender Representation in the Short Stories of Zakariyyā Tāmir: Collapse of the Totalising Discourse of Modernity and the Evolution of Gender roles', IMES PhD. Completed 2017
- Zeynep Merve Uygun, 'Unveiling through Documentary: The Making and Imagining of Space Among Veiled Women in Contemporary Turkey', Transdisciplinary Documentary Film PhD. Completed 2019
- Farshid Kazemi, '(Un)veiling Desire and Sexuality in Iranian Cinema, IMES PhD. Completed 2019
- Ameerah Saleh Alshehri, 'The Marvellous Real in the Middle East: A Comparative Study of Magical Realism in Contemporary Women’s Fiction', IMES PhD. Completed 2021.
- Eleanor Lucy Deacon, ' Retelling Karbala: A Literary Analysis of Key Plays of the IranianTaʿziyeh Repertoire', IMES PhD. Completed 2022.
Second Supervision:
- Michael Munnik, 'Points of Contact: A Qualitative Fieldwork Study of the Relationship between Journalists and Muslim Sources in Glasgow', IMES PhD. Completed 2015.
- Peter Cherry, 'British Muslim Masculinities in Transcultural Fiction and Film (1985 – 2012)', Comparative Literature PhD. Completed 2017.
Research summary
Professor Pak-Shiraz's research interests are in the arts and cultures of the Middle East and Muslim societies, particularly the visual arts.
She is interested in film’s engagement with religion and spirituality, representations and constructions of gender in visual culture, the Iranian performing arts and religion, contemporary expressions of Islam in art and material culture, and Persian literature.
Current research interests
Visual Culture Middle Eastern Cinema Film, religion and spirituality Iranian performing arts and religion Politics and cinema Gender and commercial cinema Representations of gender in film Masculinity in Iranian cinema Religious epics Persian literatureResearch activities
- Iran and a Woman-led Revolution
- Violence against Women’s Transgression in Iranian Cinema
- ‘Woman, Life, Freedom.’ What is happening now in Iran?”
- ‘The Right to Move: Gender and Space in Iranian Cinema’
- Edinburgh Iranian Film Festival to
- ‘Yesterday’s Heroes, Today’s Villains: Guarding the Ideals of the Revolution in Aghazadeh
- Woman, Life, Freedom, What is happening now in Iran?
- Modified (Hu)Man: Traditions, Vulnerabilities and Possible Futures – Roundtable’, Iran at the Crossways: Documentaries and Dialogues on a Changing Society
- ‘Women in Iranian Cinema’
- Women Depicting Freedom of Movement in Iranian Cinema’.
- Exploring the Role of Arts and Culture in Muslim Civilizations: In Conversation with Dr Ulrike Al-Khamis, Director for the Aga Khan Museum, Toronto, Canada
- Edinburgh Iranian Film Festival to
- Cinema, Sacred History and the State
- Edinburgh Iranian Film Festival to
- Women Behind and on the Camera in Iranian Cinema
- Programme notes and Introduction to Silent Film, Grass
- Edinburgh Iranian Film Festival to
- Women in Iranian Cinema
- Iranian Cinema Today- An Ode to the Past and New Directions to the Future
- Continuities and Discontinuities in Iranian Cinema
Project activity
She is currently working on a number of research projects, chiefly the constructions of masculinities in Iranian cinema from its early pre-Revolutionary era down to the present day. She is also undertaking research on religious epics, with a particular focus on Qur’anic films.
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Making Space: Women and Freedom of Movement
Research output: › Digital or Visual Products (Published) -
Truth, lies and justice: The fragmented picture in Asghar Farhadi’s films
Research output: › Chapter (peer-reviewed) (Published) -
The Divine Word on the screen: Imaging the Qur'an in Iranian Cinema
(34 pages)
Research output: › Chapter (peer-reviewed) (Published) -
Iranian cinema today: An ode to the past and new directions in the future?
Research output: › Chapter (peer-reviewed) (Published) -
Constructing masculinities through Javanmards in pre-revolutionary Iranian cinema
(22 pages)
DOI: https://doi.org/10.2307/j.ctv75d0fs
Research output: › Chapter (peer-reviewed) (Published) -
Shooting the isolation and marginality of masculinities in Iranian cinema
In:
Iranian studies, vol. 50, pp. 945-967
DOI: https://doi.org/10.1080/00210862.2017.1357672
Research output: Contribution to Journal › Article (Published) -
Visualizing Iran: From Antiquity to the Present
In:
Iranian studies, vol. 50, pp. 761-764
DOI: https://doi.org/10.1080/00210862.2017.1357674
Research output: Contribution to Journal › Editorial (Published) -
Visualizing Iran: From Antiquity to the Present
In:
Iranian studies, vol. 50, pp. 761-967
Research output: Contribution to Journal › Special issue (Published) -
Comedy in Iranian cinema
(300 pages)
Research output: › Chapter (peer-reviewed) (Published) -
The Qur’anic epic in Iranian cinema
(25 pages)
In:
Journal of Religion and Film, vol. 20, pp. 1-25
Research output: Contribution to Journal › Article (Published) -
Islam, Bible in film -biblical prophets and stories
Research output: › Entry for encyclopedia/dictionary (Published) -
Shi‘ism in Iranian cinema
(26 pages)
Research output: › Chapter (peer-reviewed) (Published) -
Cinema as a cultural reservoir for the Shi'i performing art of Ta'ziya
(220 pages)
Research output: › Chapter (peer-reviewed) (Published) -
Exploring the City in the Cinema of Bahram Beyzaie
In:
Iranian studies, vol. 46, pp. 811-828
DOI: https://doi.org/10.1080/00210862.2013.789745
Research output: Contribution to Journal › Article (Published) -
Imagining the Diaspora in the New Millennium Comedies of Iranian Cinema.
In:
Iranian studies, vol. 46, pp. 165-184
DOI: https://doi.org/10.1080/00210862.2012.758477
Research output: Contribution to Journal › Article (Published) -
Shi'i Islam in Iranian Cinema: Religion and Spirituality in Film
(256 pages)
Research output: › Book (Published) -
"Filmic Discourses on the Role of the Clergy in Iran"
(18 pages)
In:
British Journal of Middle Eastern Studies, vol. 34, pp. 331-349
Research output: Contribution to Journal › Article (Published)