Dr Harriet Stilley holds a MA (Joint Hons), MSc (Distinction), and PhD from the University of Edinburgh, where she is currently working as a teacher of American and English literature. Her research interests are located in modern and contemporary American fiction and culture, and specfically within masculinity studies. Harriet's work has featured in a variety of American, British and European Journals, including the Cormac McCarthy Journal and the European Journal of American Studies.
Harriet is also an active member of the British Association for American Studies and the Scottish Association for American Studies, and she has acted as a peer-reviewer for the Journal of American Studies, the European Journal of American Culture, and FORUM: the Postgraduate Journal of Culture and the Arts at Edinburgh.
American Political Fiction since 1945
Shakespeare: Modes & Genres
English Literature 2
Scottish Literature 2
English Literature 1
MSc Research Methods and Problems Dissertation Workshop Chair
Harriet’s research focuses on gender, race, and diversity in late twentieth-century American fiction. Specifically, she is interested in the various ways post-war American authors engage with the tension between late capitalist consumer culture and traditional national conceptions of American manhood. Harriet's first monograph entitled, From the Delivered to the Dispatched: Masculinity in Modern American Fiction, published as part of Routledge Studies in Contemporary Literature, is a politically sophisticated study of the cultural production of American masculinities in a time of social and political turbulence and rapid change. The book offers a fresh perspective on the development of masculinities in the American 1970s, and the post-Sixties, post-Vietnam, and ultimately post-Fordist shocks that the United States experienced during that decade. In it she employs a number of prolific contemporary American writers, including John Cheever, James Dickey, Cormac McCarthy, Toni Morrison and Michael Herr, together with an investigation into hypermasculine male violence, the classical and grotesque body, serial killer mythology, and specific regional themes such as the Western frontier, the American Adam, the Southern Gothic and the Suburban Gothic. Her wider research interests include twentieth-century feminist and Marxist theory, critiques of postmodernity and late capitalist commodity culture, as well as studies of American history and mythology.
Violence in the American Imagination. Loughborough University, 22-23 July 2015.
Dr. Keith Hughes. “I see you have a feeling for symbols of power: Robert Lowell’s Benito Cereno and American Civil Rights in the 1960s.” The University of Edinburgh, 3rdMarch 2017.
Dr. Brian Baker, “God Outside the Machine: Melodrama, Masculinity and the cosmological imagination.” The University of Edinburgh, 13thNovember 2015.
From the Delivered to the Dispatched: Masculinity in Modern American Fiction, 1969-1977. New York: Routledge. 2018.
Peer-Reviewed Journal Publications:
“The land that he saw looked like a paradise. It was not, he knew.” Suburbia and the Maladjusted American Male in John Cheever’s Bullet Park. European Journal of American Studies, Vol. 11, No. 2 (Summer 2016), Document 7
“White pussy is nothin but trouble.” Hypermasculine Hysteria and the Displacement of the Feminine Body in Cormac McCarthy’s Child of God. Cormac McCarthy Journal, Vol. 14, No.1 (Spring 2016), pp. 96-116
Contemporary Masculinities in Fiction, Film and Television, by Brian Baker. European Journal of American CultureVol. 37, No. 3 (October 2018), pp. 285-287
Masculinity and the Paradox of Violence, by Maggie McKinley. Journal of American StudiesVol. 50, Issue 4 (November 2016), pp. 1140- 1142
Jonathan Franzen and the Romance of Community: Narratives of Salvation, by Jesús Blanco Hidalga. Journal of American Studies(In Press: 2018)