Film and Theatre

Realizing the Witch: Science, Cinema, and the Mastery of the Invisible

‘In Realizing the Witch, Baxstrom and Meyers show how Häxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Häxan is a film that travels along the winding path of art and science rather than between the narrow division of “documentary” and “fiction.” Baxstrom and Meyers reveal how Christensen’s attempt to tame the irrationality of “the witch” risked validating the very “nonsense” that such an effort sought to master and dispel. Häxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe. Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless “know” to be there.’

Realising the Witch at the Fordham University Press website

Richard Baxstrom is Lecturer in Social Anthropology, University of Edinburgh, and co-editor of the journal Visual Culture in Britain.

Todd Meyers is Associate Professor of Medical Anthropology, Wayne State University, and as of January 2016, Associate Professor of Anthropology, New York University-Shanghai. 

Film reel

Realizing the Witch: Science, Cinema, and the Mastery of the Invisible

Dr. Richard Baxstrom of the University of Edinburgh, will be giving a seminar titled "Realizing the Witch: Science, Cinema, and the Mastery of the Invisible"

Lecture Theatre (G.03)
50 George Square
Edinburgh
EH8 9LH