Academic Staff
Simon Frith
Tovey Professor
Email: simon.frith@ed.ac.uk
Tel: +44 (0)131 650 2426
Location:
Room 213, Alison HousePublications
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- Taking Popular Music Seriously, Ashgate, 2007, 343 pp. <http://www.ashgate.com/isbn/9780754626794> <http://www.ashgate.com/isbn/9780754626794>
- ed. (with Martin Cloonan) ‘Popular Music Policy’, special issue of Popular Music 27(2) 2008, 189-315.
- ed. ‘The Business of Live Music’, special issue of Arts Marketing: an International Journal 1 (2), 2011.
- ed. (with Simon Zagorski-Thomas) The Art of Record Production, Ashgate 2012, 278pp. <http://www.ashgate.com/isbn/9781409406785> <http://www.ashgate.com/isbn/9781409406785>
- 'Retour sur l’esthétique de la musique populaire', Rue Descartes 60, 2008, 63-71.
- 'Why music matters', Critical Quarterly 50(1-2), 2008, 165-179.
- 'Going critical: writing about recordings' in N.Cook, E. Clarke, D. Leech-Wilkinson and J.Rink eds.: The Cambridge Companion to Recording, Cambridge: CUP, 2009, 267-282.
- (with Cloonan, M. and Williamson, J.) ‘On music as a creative industry’ Tony Jeffs and Andy Pratt ed. Creativity, Innovation and the Culture Economy, London: Routledge, 2009, 74-89.
- ‘Writing the History of Popular Music’ in Hugh Dauncy and Philippe Le Guern eds.: Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain, Farnham: Ashgate, 2011, 11-22.
- (with Cloonan, M. and Williamson, J.) ‘Having an Impact. Academics, the music industries and the problem of knowledge’, International Journal of Cultural Policy 17(5) 2011, 459-474.
- ‘Creativity as a Social Fact’, in David J. Hargreaves, Dorothy E. Miell and Raymond A.R.MacDonald eds: Musical Imaginations. Multidisciplinary perspectives on creativity, performance, and perception, Oxford: OUP 2012, 62-72.
- ‘The place of the producer in the discourse of rock’, in Simon Frith and Simon Zagorski-Thomas eds, The Art of Record Production, Ashgate 2012, 207-222.
This article was published on Oct 30, 2012